Monday, April 8, 2013

New DVDs & Blu-rays for 04/09/2013!

This week is chock full of genre cinema from our friends in the "Far East." Martial arts insanity, womanizing wizards battling demons, murderous sporting events, and lots of cheap movie 4-packs await your bank account this week. Here's what's new:



NEW TO DVD AND BLU-RAY
Crush
Deadball
Father's Day
The Four
The Massage Parlor Murders (DVD/Blu-ray combo)
The Sorcerer and the White Snake
Womb
Woochi: The Demon Slayer


NEW TO BLU-RAY
Naked Lunch (Criterion Collection)


NEW TO DVD
Azumi 2: Death or Love
Dragon Wasps
Expiration
Fangoria Presents: Entity
Holla if You Hear Me Kill You!
Infected
Lone Wolf and Cub: Baby Cart in Land of Demons
Lone Wolf and Cub: Baby Cart in Peril
Lone Wolf and Cub: Baby Cart at the River Styx
Luster
Naked Weapon
President's Day
The Suckers / The Love Garden


NEW MULTI-FILM COLLECTIONS ON DVD
4-Film Legion of the Dead Set
Contains: Day of the Dead, Vampire Clan, WolvesBayne, and Ring of Darkness.

4-Film Snake Attack Pack
Contains: Python, Python II, Boa, and Venemous.

4-Film Ultimate Disaster Set
Contains: Lost City Raiders, Storm Cell, Polar Storm, and Quantum Apocalypse.

20-Film Horror Pack 4
Contains: Secrets of the Clown, The Fear, Chamber, Curse of the Wolf, Netherworld, Keepsake, Venom, In the Dead of Winter, Vampire Journals, Wes Craven Presents: Dracula III: Legacy, Beneath Loch Ness, Doll Graveyard, Halloween: Resurrection, Wages of Sin, Dangerous Worry Dolls, The Legend of Sorrow Creek, Hell's Highway, Shaded Places, Feeding Grounds, Dollman, and Descendant.

Blu-ray Review: WOOCHI - THE DEMON SLAYER (2009)

Note: This review is for a screener sent to me by Shout! Factory. "Woochi: The Demon Slayer" hits DVD & Blu-ray on Tuesday, April 9th wherever discs are sold!

MOVIE REVIEW: I am a sucker for Asian cinema, so I was super excited to check out WOOCHI: THE DEMON SLAYER when it arrived in my mailbox a few weeks back! The film is based upon the Korean folktale of Jeon Woochi, a Taoist wizard that is crazy about the ladies and likes to pull tricks on the aristocracy. (He's kind of like Korea's version of Wong Fei-hung.)

After coming across a magical flute that holds the key to defeating a race of goblins, Woochi is framed for the murder of his master and imprisoned within a scroll for 500 years. Eventually Woochi and his human/hound sidekick Chorangyi, are released from their parchment prisons when a "rat goblin" and a "bunny goblin" appear in modern Korea. (Though they sound kind of ridiculous, both CGI monsters actually look pretty cool!)

Though he's freed in order to help capture the monsters, Woochi is more interested in wooing the possible reincarnation of an old flame from centuries ago, and is also enjoying the finer things in modern society. Will he pull himself together and become the hero he needs to be in order to defeat the goblin menace and an old enemy from his past? Well, I suppose it'd be a much shorter movie if he didn't...

WOOCHI: THE DEMON SLAYER is one of South Korea's biggest blockbusters, and offers up some impressive CGI, especially considering that budget for the film was only twelve million dollars or so. The story is interesting, and there are some really fun moments in this movie. (e.g.Woochi "cloning" himself with the aid of his Taoist "amulets," in order to fight two goblins, is probably my favorite sequence in the movie.) However, this film is just way too long and has a really uneven pace.

Every time you think that it's building towards a big battle between Woochi and his foes, the movie kind of fizzles out; it really takes it sweet time in moving things along and lacks any real tension. There's no moment in the film that warrants an "Oh no, he won't succeed and he is sure to die! C'mon Woochi, you can do it!" reaction. It's like the heroes and villains were in no rush to see things through, even during the end when Woochi has his climactic wizard battle against the man who framed him 500 years ago.

And that's my main gripe with WOOCHI because everything else in the film works fairly well. It's an action/fantasy/comedy that contains all of the necessary ingredients of each genre (there are some great stunts and the comedic moments typically hit their mark), but what it really lacks is a "race against time" element to move things along at a brisk pace. Despite that, the film is pretty decent, though there were times I was left scratching my head because I'm not too familiar with the legend of Jeon Woochi. Maybe if I had read the Woochi folktale prior to watching this, or was at least a bit familiar with Taoism (guess it's time to hit Wikipedia), I'd probably have a better comprehension of some of the film's stranger moments. (WHY DO THE WOOCHI CLONES TURN INTO BROOMS WHEN DEFEATED?!)

I wasn't totally impressed with WOOCHI: THE DEMON SLAYER (which is a misleading title because he doesn't slay a single demon over the course of the film), but I had fun watching the special effects and Woochi's interactions with his goofy sidekick. Along with a great soundtrack, and inventive wire-stunts, I enjoyed WOOCHI enough to grant it:
THREE 'RADS'

BLU-RAY REVIEW

The Packaging: The Blu-ray cover (seen above) is generic and a bit misleading (due in part to the flying ninjas in the background) and comes in a standard Blu-ray case with a cardboard slipcover. Actually.. after looking at the original movie posters for the film, the Blu-ray cover is a definite improvement.

Audio & Video: WOOCHI: THE DEMON SLAYER looks great in its 2.35:1 anamorphic widescreen HD transfer, particularly since its a recent movie. The disc comes with four audio choices: Korean DTS-HD 5.1, English Dubbed DTS-HD 5.1, Korean Dolby Digital 5.1, an English Dubbed Dolby Digital 5.1. I switched back and forth between the Korean and English DTS-HD audio options, and the dialogue, sound effects, and music all sound great!

My only complaints are minor ones really: While watching the film in its native language, there were a few moments where the subtitles moved a bit too fast. Also, the English dubbed version is atrocious; but then again, I've never been a big fan of dubbed foreign films. (With the exception of Toho's kaiju flicks.)

The Extras: Holy cow! This disc is packed with special features which include: The original theatrical trailer, thirteen minutes of deleted scenes, a "making-of" featurette, the "Newest Korean Style Hero Movie" featurette, cast and director interviews, six production featurettes that cover everything from the training of the film's stars to the lighting and shooting of key scenes, "The Magic of CGI" featurette, and four more featurettes focusing on the CGI effects in the film! The huge amount of behind the scenes material gives you a really comprehensive look at the making of WOOCHI and I'm pretty surprised this much love was given to this movie. The only downside is that all the extras are in standard definition.


Final Ruling: WOOCHI: THE DEMON SLAYER is an OK movie with an above average Blu-ray release. The audio and video presentation is top notch, and the disc is packed to the gills with extras covering every aspect of the film's creation. If you're a fan of Asian cinema, and/or like to get an in-depth look at how films are made, then this Blu-ray disc is worth picking up. I hereby give Shout! Factory's WOOCHI Blu-ray:

FOUR 'RADS'
WOOCHI: THE DEMON SLAYER comes to DVD & Blu-ray on Tuesday, April 9th! If it sounds like something that's up your alley, pre-order it now from Amazon.com:

PRE-ORDER THE BLU-RAY FOR $26.83!
PRE-ORDER THE DVD FOR $17.97!



Saturday, April 6, 2013

Quickie Review: EVIL DEAD (2013)

Note: The review itself will be relatively SPOILER FREE, however, as you near the bottom of this post, you WILL get into spoiler territory.

I was torn on whether or not to say anything about the new EVIL DEAD because everyone and their mother has already shared their thoughts about it online. But seeing as how I can't seem to get the movie out of my head, or avoid any conversation about it, I figured I might as well share my thoughts too.

Though I'm still a bit torn about it, I mostly liked the new EVIL DEAD. It's an enjoyable modern exploitation flick that truly delivers all the gore, violence, and awesome makeup f/x that was promised by its creators. EVIL DEAD follows five young adults who come to a spooky cabin in the woods so that their friend Mia (Jane Levy) can go cold turkey from her heroine addiction.

Naturally this cabin, abandoned for decades, was the scene of a demon cleansing (as you'll discover in the unnecessary opening of the film, which does at the very least set the tone for the rest of the movie), and a certain Book of the Dead was left behind. The hippie-looking nerd of the group named Eric finds the Necronomicon (now lacking a face on its cover and also now completely fireproof) and recites a passage from it (despite a note on the pages saying DON'T READ IT, DON'T THINK IT, DON'T SAY IT!).

This awakens something in the woods, which zooms through the trees and right into Mia, who experiences the franchise's typical tree rape before turning super creepy and violent. The movie then plays out exactly as you expect it would, with demonic forces taking over each person and making them self-mutilate and kill until someone violently stops them. However, the film throws a few twists at us (some of which I'm having a little trouble coming to terms with), and splashes the screen with blood, guts, and bodily dismemberment in numerous scenes that will make you cringe, laugh, and/or cheer!

As far as remakes go, EVIL DEAD is one of the few that gets the formula right. To me, remakes are a necessary evil in an age where every story has already been told over and over again. The important thing is to not only be true to the original, but to somehow improve upon the source material. (This should be Hollywood's rule on remakes: If they can't significantly improve on an older film, then they shouldn't remake it.) And if you can't improve on it, at the very least make it digestible for modern audiences, while giving some love to the fans of the original. But above all, just make a decent movie!

Sam Raimi's classic THE EVIL DEAD is (as of my writing this) 32 years old now, and was ripe for a redo, and I'm pretty content with the one handed to us by producers Sam Raimi and Bruce Campbell. They picked a young cast of relative unknowns, gave an unknown director a shot (Fede Alvarez was basically picked because Raimi loved his short film PANIC ATTACK), and packed the movie with more visceral practical f/x than I could have possibly imagined. (I'm amazed at what made it into the theatrical cut; I cannot WAIT to see the uncut version on Blu-ray later this year!)

And it's the f/x that saves this movie, because otherwise it isn't all that interesting. As it stands, the script for EVIL DEAD is the only real problem with the movie. Some of the dialogue (courtesy of  Diablo Cody I assume) is groan inducing at times, and the characters are all one-dimensional and uninteresting. (And don't give me crap for saying this. An example of a gorefest that has well-written characters is Peter Jackson's DEAD-ALIVE! It is far gorier than EVIL DEAD, but is a solid film that actually gives its main characters a story arc. C'mon, it's basic screenwriting people!) Had it not been for the copious amounts of carnage in the second act of the movie, this would probably be a generic PG-13 demonic possession flick.

While it didn't entirely blow me away, EVIL DEAD is one of the better horror remakes to come out in a long time. If it is a box office success (and I know it will be) that means at least two more sequels, and possibly an Army of Darkness 2 and an Evil Dead 7! So get out there and support this movie horror fans! The gore and grue is totally worth the price of admission, and makes this film worthy of:

THREE AND-A-HALF 'RADS'

Now, there's a few things I'd like to discuss, but it will be HEAVY ON SPOILERS. If you do not want anything ruined for you, stop now and go see the film. If you have seen the movie, or just don't give a damn, then read on. But remember... ye have been warned!

FINAL WARNING! TURN BACK NOW!
Ok, I pretty much liked this movie and I loved the effects and gore but there were a few things I didn't particularly care for.

1.) The opening: A group of people assemble in the basement of the "Evil Dead cabin," to cleanse a young girl of her demonic possessor. For some reason this involves hanging dead cats from the ceiling, torture implements, melty-faced onlookers, and a backwoods swamp-witch glancing through the Necronomicon for tips. It's unnecessary, and feels tacked on, as if someone believed that viewers wouldn't understand why the Book of the Dead was in the cabin or how the whole possession thing worked. Why didn't they just use the stick with some sort of tape-recorder or diary to provide the exposition and set things in motion?

2.) The demons: The Deadites have super creepy eyes now and love to mutilate themselves when they aren't using weapons on their victims. I don't mind that the demonically possessed are using nailguns, machetes, crowbars, etc. to attack the living, but do they have to behave like typical cinematic possession victims and talk dirty like Linda Blair? It's like the filmmakers decided "Hey, our Evil Dead movie could sure use some more Exorcist!"

Also, I'm not sure if I like that contact with a possessed person's bodily fluids leads to characters becoming possessed themselves. Mia is tree-raped, Olivia is puked on, Natalie is bitten, and Eric... well I'm not quite sure. (Perhaps the utility knife in his gut may have had some of Mia's tongue-blood on it?) Demonic possession being transmitted zombie-style totally worked in DEMONS (a.k.a. DEMONI, love that flick!) but it just didn't feel right here.

3.) Mia's resurrection + final showdown with Abomi-Mia (a.k.a. Grudge Gollum): Earlier in the film, we learn that Mia overdosed once, died, and was resuscitated with a defibrillator. Later in the film, David (Mia's brother) creates a homemade defib device, then buries his possessed sister alive, because it was the least horrifying method of ridding a person of a demon, according to the Book of the Dead. When he's positive that she's croaked, he jolts her back to life with a car battery... and she's fine?! She had her face partially scalded off with boiling water, she cut her tongue in half, and she received other punishment as well, and all it did was get her off drugs and give her a great complexion?!

Dave dies after rescuing Mia by exploding himself and possessed-hippie Eric, and according to the Necronomicon, five souls are all that is required for the "Abomination" to take physical shape and rise from the Earth. Well let's do a head count: Dave, Eric, Olivia, and Natalie are all dead... so why does Grudge Gollum burst forth from the ground?! Is it because Mia briefly died (seems like a major technicality to me), or is it because Grandpa the Dog was bludgeoned to death offscreen with a hammer earlier in the film? (As we learned from THE GATE, sacrifices don't always have to be human.) And why does the demon look like Mia? Why couldn't it be an awesome monster like the thing that Ash chainsaws in the face during the climax of Evil Dead II?!

 4.) The after-credits stinger: Thanks to Marvel, it seems like every movie that comes out sneaks in an extra scene after the credits are over, usually to set up the next film, or show you what happens to a main (or secondary) character after an ambiguous ending. Not so the case for Evil Dead. I waited eagerly for the credits to finish up because I was told "there was something super cool after the credits are over!" I expected a special cameo, or maybe a setup to the next film. What I got instead was the dramatic silhouette of Bruce Campbell saying "Groovy." Really? I'm all for fan service, and I love The Chin, but that was just...dumb! And I'm not the only one that had the "YEEEEEAHHHHHH.... wait huh?!" reaction to that ten second clip in the theater. Plenty of folks on the web are scratching their collective heads as well.

Once again, I did like the movie and think it's a good start to a hopefully continuing Evil Dead franchise, and I look forward to both the inevitable sequel, and the uncut DVD/Blu-ray. What do you think though? Am I being too hard on EVIL DEAD, or do you agree with my complaints? Did you love it, hate it, or have misgivings of your own? Then comment below or hit me up on Facebook or Twitter.

Coming soon: UFO Truth Magazine

By Robbie Graham Silver Screen Saucers


A new online UFO publication is headed our way this summer. Edited by recently-retired UK police detective and veteran UFO researcher Gary Heseltine, UFO Truth Magazineis an 84 page bi-monthly colour Ezine that will feature regular columns by UFO researchers from around the world, including Peter Robbins (USA), AJ Geveard (Brazil), Roberto Pinotti (Italy), Suzanne Hansen (NZ), Lt Col Ret. Julio Chamorro Flores (Peru), Pia Knudsen (Denmark), and Richard D. Hall (UK), among others. The magazine will also feature a regular column by yours truly, providing exclusive content on UFO-themed movies and TV shows. Additionally, Heseltine has promised guest contributions from the likes of Grant Cameron, Robert Salas, and Stephen Bassett.

"I believe this is the strongest list of regular columnists for a UFO magazine anywhere in the world," says Heseltine, who makes no apologies for his publication's strong support of the Extraterrestrial Hypothesis: "I will state without reservation that this magazine is for people who believe that some UFO reports represent extraterrestrial contact (in its many forms) with mankind and the Earth. The bottom line is that this magazine will be for people who are proud to say, "I believe that UFOs and ET are real."

Heseltine has also promised to set aside "one third of all monies raised through monthly and yearly subscriptions for UFO research and causes." Initially this money will be used as a funding mechanism for British UFO conferences, but Heseltine hopes that, in time, money generated by his magazine may also be used "to support genuine researchers around the world in the form of grants."

Heseltine has stressed that he is "not doing this to make pots of money," but because he cares "passionately about this subject" and wants "to secure a financial structure for British Ufology and support the subject worldwide."


Heseltine believes his magazine will have international appeal and is excited about its online format: "There has never been a better time for a quality online UFO Magazine. People used to hate reading off computer screens but with the development of smartphone and tablet technologies people are now happy to do so."


The first issue of UFO Truth Magazine will be published at the end of June and will be free. Thereafter it will cost £4 (or your national currency equivalent). All transactions will be online through Paypal.


As a special deal, people who opt for a yearly subscription package before June 16th will receive six issues for the price of four, i.e. £16 (or currency equivalent).

The website for UFO Truth Magazine will launch fully later this month.

Video: Gary Heseltine discusses UFO Truth Magazine with Richard D. Hall (begins at counter reading 4:46)...

 

Friday, April 5, 2013

Hollywood & UFOs on 'Spacing Out' (video)

Silver Screen Saucers


UFO movie news round-up (5 April, 2013)

By Robbie Graham Silver Screen Saucers

Disney to remake ‘The Black Hole’
 

The Hollywood Reporter has it that Walt Disney Pictures is to remake its 1979 sci-fi epic The Black Hole, which followed the exploratory craft U.S.S. Palomino on its long journey back to Earth after a fruitless 18-month search for extraterrestrial life.

In the original movie – a shameless star wars rip-off featuring some of the most inert fight scenes ever committed to film – the crew of the Palomino stumbles across a supposedly lost ship, the U.S.S. Cygnus, which is stationed near a black hole. What the crew find onboard the Cygnus is as ‘wondrous’ (read as ‘boring’) as it is ‘terrifying’ (read as ‘really, reallyboring’).

Though the 1979 version of The Black Hole was alien-less, don’t be surprised if the remake throws in an ET element, especially as Disney has hired Jon Spaihts (Prometheus, The Darkest Hour) to rewrite the original story.

Joseph Kosinski, (Oblivion), is attached to direct. No release date yet.





‘Guardians of the Galaxy’ concept art

Geek Zenith has uncovered four pieces of concept art for Marvel’s upcoming Guardians of the Galaxy, which is scheduled for release August 1, 2014...
 



‘Transformers 4’ to shoot in China

 
In addition to filming in Chicago and Michigan, Paramount Pictures has announced that Michael Bay’s upcoming Transformers 4will shoot partially in China. According to an official press release:

China Movie Channel, under the State Administration of Radio Film and Television (SARFT), will cooperate with Paramount in broad-based support of the production of the film in China.

The parties also intend to cooperate in a number of other areas related to Transformers 4, including the selection of filming sites within China, theatrical promotion, and possible post-production activities in China as well as casting of Chinese actors and actresses in the film.

This agreement represents the first time that China Movie Channel will work with a western studio in the production of a major motion picture.”

For more info on the Transformers 4 production arrangement, see here.

‘The Host’: reviews, plus comments from director


The new body-snatching alien movie The Host has received appalling reviews from critics, scoring just 10% on RottenTomatoes.com.

Manohla Dargis of the New York Times calls The Host “Dopey, derivative and dull... a brazen combination of unoriginal science-fiction themes, young-adult pandering and bottom-line calculation.” CNN’s Tom Charity criticized the tween movie for being played “with maximum solemnity,” while having “no discernible humor and minimal excitement.”

Total Film, meanwhile, slammed The Host for its dismal storytelling and “general disregard for narrative structure and pacing.”

A poorly executed movie, then, but one with an interesting premise, nevertheless. The director of The Host, Andrew Niccol, told io9.com recently that the underlying message of his film is one of coexistence:

“For me the message is… Can we coexist with each other? And even with a species from another planet. For me that's what it is, coexisting.

One of the things that attracted me to this particular story is the ambiguity of it. Which is of course a dirty word in Hollywood, because they just want either good or evil. I was just intrigued by the [question of], are these aliens really the enemy? Because they're so often portrayed as the enemy. And in this story the context is, what if they're better for the world than we are? I kind of liked that, because of course [the aliens in The Host] have ended wars and famine. They're much kinder to each other and they've healed the planet. All we lose is our free will, but it's our free will that makes this place what it is in the first place.”

Thursday, April 4, 2013

Check out the trailers for ERASED and ONLY GOD FORGIVES!

Got a couple of trailers for you guys and gals to scope out while I do a "ninja-vanish" for most of tomorrow. First up is the trailer for ERASED, which hits video on demand services TOMORROW and theaters on May 17th. Ever wondered what TAKEN would have been like if it starred pre-Two Face Harvey Dent? Well, then this is the movie for you!


If I found out that my dad was a CIA operative that could kill people with his bare hands, I'd be awestruck and impressed. He'd be my hero. Not so the case here. As soon as Eckhart's daughter discovers that he can murder people with ease, she freaks out and becomes a liability. Still, I'm sure he manages to save the day, rescue his daughter, and live a tranquil life as somebody else until the ee-vil government comes knockin' in the eventual direct-to-DVD sequel! Doesn't look like anything special, but I'd give it a watch.

Next up is a trailer I've been waiting for because A.) I have a man-crush on Ryan Gosling (hard to believe I ever used to dislike him as an actor) and B.) because his last team up with Nicolas Winding Refn (DRIVE) was freakin' awesome. Here is the redband trailer for ONLY GOD FORGIVES:


It looks pretty interesting to say the least. Set in Bangkok, Thailand, Gosling plays a drug kingpin that is tasked with avenging the death of his brother. Swordplay, fistfights, bloodletting, and probably a kick ass soundtrack then ensue! Look for ONLY GOD FORGIVES in theaters on July 19th!