REMAKES! The very word sends shivers of anger down the spines of millions; causes thousands to groan or sigh in anguish. I myself have reactions like this, but why? Why does this one word inspire so much malice; why does it have so much terrible power?! Well mainly because remakes, especially the ones that have been released in the past decade or so, have been mostly mediocre or just plain awful. But why does Hollywood insist on creating remakes of older films that we hold dear to our hearts, and why are so many of them so sub-par? Well, perhaps my meandering thoughts and theories might shed some light on the subject.
REMAKE by definition means to "make anew or in a different form," so the idea is to take something old and breathe new life into it, either by updating the story to be more palpable for modern audiences, or by taking the core idea and doing something completely different with it. This is dangerous territory to be in if you're penning a remake (or a redo, or a reimagining, or a reboot, or whatever you want to call it) because a delicate balance must be maintained: You've got to cater to the fans of the original film (which can be done in a variety of ways, such as callbacks to scenes or quotes from the original work) but you've got to modernize it and create something that today's audiences (with all their newfangled technology and short attention spans) will want to see.
But why remakes? Why can't Hollywood come up with anything original? (A question I hear almost daily.) Well the fact of the matter is... it's all been done folks. We have literally created every iteration of every story known to man; the mines of creativity have been depleted. At this point in human history, every tale has been told and retold. Even actor Robert Englund (who I had the pleasure of seeing in person during a Q&A session I attended two years ago) has said this. Even before that, a gent named Kirby Ferguson brought this fact to my attention years ago with his excellent
EVERYTHING IS A REMIX series of videos.
Occasionally, somebody brings something new to the table (e.g. "The Matrix" trilogy introduced us to bullet time) but it is quickly gobbled up by the studios and exploited at every turn until finally, the audiences (and critics) lose interest, forcing the powers that be in Hollywood to rethink their strategies. And this is nothing new because it's been happening for decades. Take Ridley Scott's ALIEN for instance. Penned by Dan O' Bannon (rest in peace sir), the film presented us with a new type of monster (courtesy of H.R. Geiger and Stan Winston), and an invasive horror theme that shocked audiences.
It was followed up with three sequels (each one getting worse as the series wore on), two crossover films, a confusing prequel (that is in the process of getting sequelized), and a seemingly infinite number of rip-offs. The series is a cash cow, and once it came out, everyone wanted in on the action. Aside from bridging the original to the PROMETHEUS films, or doing another sequel, or a third ALIEN VS. PREDATOR film, there is only one way to milk the franchise: Remake it.
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| Pictured: The final step before a remake grudgingly goes into production. |
Now this isn't leading up to me reporting that ALIEN is being remade (gosh I hope that doesn't happen, the original still looks great and plays out wonderfully), or suggesting that it should be remade, but I'm trying to illustrate that eventually, you hit a wall with a film franchise. Sequels are tricky, especially if actors from previous installments are either too old, not interested, or deceased, and crossovers are harder to do than remakes, because you have TWO or more groups of rabid fans that you are trying to appease.
And remember, making films is not an artistic endeavor for major studios: It's a business, and the goal of a business is to make money. It doesn't matter if the final product is good or bad. What matters to the key players in Hollywood is "will I get a good return on this project?" With all that in mind, I can't really blame studios for churning out remakes, especially since they've been doing them as early as 1904. (According to my research, "The Great Train Robbery" released in 1903 was the first film to ever be remade!)You read that correctly folks... remakes have existed for over one hundred years!
By the way, have you ever seen the HOUSE OF WAX remake with Paris Hilton? It really made you pine for the original right? Well guess what? The "original" HOUSE OF WAX starring Vincent Price was (gasp!) a remake of the 1933 classic MYSTERY OF THE WAX MUSEUM! And how many times have the tales of Dracula, Frankenstein's Monster, The Phantom of the Opera, and Cinderella (the most remade story/film of all time) been put on celluloid over the decades?
Now you're probably thinking to yourself "Wait a minute Jordan.... it almost seems like you're defending remakes!" Well I am and I'm not; the point I'm trying to make is pretty much "stop bitching and whining about remakes." They're nothing new, you can't stop them from happening, and are almost inevitable in this day and age. Don't stand there and complain that there's nothing original anymore because ORIGINALITY IS DEAD AND
EVERYTHING IS A REMIX! All you can really do is hope that the remakes hit theaters are at least well-made, have an engaging storyline and at least a few likeable characters, and hopefully a good cast. (And practical effects over CGI please. I hate CGI... but that is a rant for another day.)
Which brings me to how the big studios have been doing with their remakes in recent years, which is to say... not very well. I can only think of a handful of remakes that actually get the formula correct and turned out to be just as good as, if not even a bit better than, the original film. They take the core idea and change it up just enough to set themselves apart from the original, and the results have sometimes been impressive. In the 80's you had the triple threat of "The Blob," "The Fly," and "The Thing" (which is technically not a remake but a more accurate adaptation of "Who Goes There?"), which all follow the basic template of the classic films, but made interesting changes to the plot and characters, and added in copious amounts of mind-blowing practical f/x!
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| Stay! I'll put coffee on! |
The tale of a silly glob of protoplasm from space that engulfs a few denizens of a small town in the "The Blob," became a flesh-melting gore-fest about science gone terribly wrong in the remake. (The blob was part of a Cold War military experiment if memory serves.) The charming (yet goofy) "The Fly," had a scientist and a fly switch heads after a minor whoops involving teleportation. In the redo, the same thing occurs, but with far more ickier consequences. Aside from Jeff Goldblum's mutation (which is glorious!) you get a cool character arc about a scientist that is trying to do something to help mankind, who then experiences an accident that at first seems beneficial, but in truth is slowly turning him into a monster.
And John Carpenter's The Thing? I could go on an on all day about that one. In the Howard Hawkes' classic, an alien being is thawed out of the Antarctic ice and stalks the crew of a U.S. military base. Attempts to shoot it, burn it, and communicate with it fail, so they electrocute the creature from another world, and end his short reign of terror. In the 80's redo, the creature thaws out and goes to work trying to replicate/assimilate everyone on the base. Tensions run high, paranoia strikes deep, and messy deaths and transformations highlight the already increasingly awesome proceedings!
In the 90's we had Tom Savini's brilliant remake of George A. Romero's NIGHT OF THE LIVING DEAD, which kept all of the same elements (the hero is a strong black male; people trapped in a farmhouse fighting off a sudden invasion of the living dead) but made an extremely intelligent move by having Barbara (who was completely catatonic until eaten by her undead brother and all his friends in the original) become a strong female character.
More recently, there's been an increase in lousy and mediocre remakes, but a few have stood out from the crowd. Some of my favorites include James Gunn's DAWN OF THE DEAD, MY BLOODY VALENTINE 3D (the only 3D film I truly enjoyed in the theater), and THE CRAZIES (Romero's original is a classic in its own right but just didn't rock my world). Also, the new EVIL DEAD, though lacking in some respects, was pretty darned good as well, if only because it was so unapologetic with its gore.
Now, I know I'm focusing a lot on horror remakes, but that's because they are the current trend in Hollywood, mainly because the genre has become a very lucrative business in the past decade. No really, it's true! Every single horror film released in theaters this year was the NUMBER ONE MOVIE IN THE BOX OFFICE during their respective opening weekends. The number of horror conventions (along with fantasy, sci-fi, and mixed genre cons), 35mm film screenings, and horror film festivals has increased by a staggering amount. It truly is a good time to be a horror fan, and the studios know this.
That is why more genre remakes are on the way including: CARRIE (it doesn't look too bad, plus I love Chloe Grace Moretz), ROBOCOP (a movie that made fans so angry that it's release was pushed back to 2014), OLDBOY (directed by Spike Lee?! Whaaa?), PET SEMATARY (No!), THE CROW (Oh, c'mon!), THE ORPHANAGE (Really? That's not even an old movie!), AN AMERICAN WEREWOLF IN LONDON (Blasphemy!), BARBARELLA (:: shrugs ::), GODZILLA (I'm actually looking forward to this, especially after the 1998 Roland Emmerich travesty), WESTWORLD (I could almost get behind this one.), SHORT CIRCUIT (A sequel would be preferred.), THE WARRIORS (I'm torn on this one...!), and there's so many more!
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| Johnny Five is alive! AND ANNOYED! |
Damn it Hollywood, the idea is to remake films that can be IMPROVED UPON! Many of the ones I just listed are heralded classics and stand up extremely well today! And that's the main rule that all the big studios should abide by: "Don't remake it unless you can somehow improve upon the original film, or at least improve some major elements from it." The successful remakes are the ones that feel familiar and new at the same time; that deliver a fresher spin on something we've already seen (and loved) before. But at some point in the (not so) creative process, something gets left out. Someone forgets that "Hey, I know we're trying to put a different spin on things, but shouldn't we try and make this a good movie first and foremost?"
Ah hell, f*ck remakes! Yeah, I know I previously told all of you to quit "whining and bitching," but I can't help it. I tried to be logical, and tried to look at all this as objectively as possible, but I just can't come to terms with the continued onslaught of remakes. I guess it's just plain old human nature to complain about something we have no control over and simply must accept. (Like bills, taxes, shitty drivers, pop music, inflation, religion, politics, etc.) Some of you are probably thinking "Well hey, we can do our part and not go to the theaters to see any of these upcoming remakes. Then Hollywood will get the idea and stop making them," and in a perfect world, you'd be one-hundred percent correct.
Sadly we live in the real world, where thousands still flock to see these unnecessary recreations of the films you and I wax nostalgic over. Those of us that are "wise," may stay home in silent protest (but usually go see the movies we bitch about because there's that tiny chance it might actually be really good), but the masses ultimately choose the outcome.
To conclude my rant (because if I don't stop now, I'll ramble on for another page or two), remakes have been, and always will be around, even moreso since studios are looking for easy cash-grabs. Some will be good, some will be bad, most will be mediocre. And despite our complaints about the unoriginality of Hollywood, and our best efforts to avoid the oncoming deluge of remakes, we will continue to be inexplicably drawn to theaters again and again to carry out this vicious cycle.
But there is a silver lining my friends, and that is this: We will always have the originals. (Well... unless you're talking about the bastardized STAR WARS trilogy which has been criminally altered forever.) To illustrate this one final point, let's choose one of the more high profile remakes that will be coming out in the next year: I choose you ROBOCOP!
The question I will now pose to you is this: What if the ROBOCOP remake sucks?
The Answer: Who cares?! Worse things have been done to the character in film and television in the past. (Particularly that awful live-action series that weakens and totally emasculate Robo. How the hell did it last a full season?!)
Plus, the existence of the remake guarantees two things:
1.) It doesn't matter how good or bad the remake is going to be, because the original film that started it all will remain the way it always has been. (i.e. PERFECT).
2.) The remake will create interest in the original film. Younger generations that may have never heard of ROBOCOP, or may have written it off as a "stupid movie," will discover it, and most likely fall in love with it.
And those two guarantees apply to
every single remake. (And sequels and prequels as well.) So take the coming remake apocalypse in stride fellow cinephiles, and remember to embrace the originals and share them with others. If we do that, then we shall survive in these harsh cinematic times.
This is old news (since the Blu-ray came out on March 12th of this year) but Drew Bolduc's THE TAINT has been picked up by Troma and given a nice 2-disc Blu-ray release. I reviewed the film a while back (read it HERE) and reveled in its ridiculous plot, over the top violence, and parodical view of misogyny. (The film has been attacked for its questionable content, but trust me folks, its only a boundary-pushing spoof, not a representation of the filmmakers' views on women.)
